A Place For Us To Dream
Tuesday, December 31, 2024
Day Three hundred and sixty five - A solitary reign
Monday, December 30, 2024
Day Three hundred and sixty four - Everything
Sunday, December 29, 2024
Day Three hundred and sixty three - Nepenthe
Saturday, December 28, 2024
Day Three hundred and sixty two - Here's where the story ends
Friday, December 27, 2024
Day Three hundred and sixty one - Kaleidoscoping
Thursday, December 26, 2024
Day Three hundred and sixty - WE
Who : Arcade Fire
Album name : We
Formed : 2001
From : Montreal, Canada
What do they play : Indie rock / chamber pop / art rock / baroque pop / symphonic rock (at least according to Wikipedia)
Release date : May 6, 2022
I only know one thing about this record for a fact. It's the only Arcade Fire record I have two versions of : a cassette version and a picture-disc version, because that came in a bundle when I purchased the album. But other than that, I know nothing of it. I have never listened to a single song from it. Never, ever. For some reason I can't explain, I have never felt tempted in the slightest to play this record. I knew, right from the beginning, that this was a record I was buying for no particular reason, other than maybe a slight feeling of guilt for never having bought the previous record, 'Everything Now'. And today... well, today was the day. Today was the day I finally queued it up and pressed play. And what did I think about it? It's ok, it's nothing spectacular, probably a bit more balanced as a whole when compared to the previous entry. In a sense it feels like it condenses a bunch of everything they've done since the first record up until the latest : there are the galloping piano sections, there are the sing along songs, there are the electronic elements that were so prevalent in 'Reflektor', now more subdued and restrained - and that's probably for the better. There are the songs that evoke nostalgia - I'll confess to have not really paid that much attention to the lyrics, so I can't really attest as to whether or not that nostalgic slant is present there, but in terms of music, there are songs here that certainly could have been recorded in the late 70's or early-to-mid 80's, they have that familiar sound from that era. Especially maybe the 70's - I could hear some prog in some songs, and also those pastoral melodies that wouldn't be out of place in something that came from a Canterbury scene record.
There's good stuff here, but again - it's all mostly unremarkable. Listening to this album - as well as the previous two - made me think about my writing here on my blog. Very often I find myself struggling to come up with a viable idea for a post, and I resort to these little reviews/critiques, and I end up littering it with filler. That's the impression I get from the band, that sometimes they just use some half baked ideas and use them as filler. And not a particularly interesting kind of filler, either. Truth is, I wouldn't be able to name a single song that stuck in my mind. And maybe that also serves as a metaphor for where I am now, and where I'm going. There will always be some things from times past I will always love, and there'll always be something very specific for which I will always hold an eternal love, but maybe it's time to realize that what captivated me in the first place is no longer there - because I remained stuck in love with a memory, while live moved on. It's good, but not great. Fond, but not in love. It's all just so very... ok. And it's ok, to be just ok. Not everything needs to be super duper amazing, really. It's albums like these - to be fair the last half of their discography - that make me realize just how much of a desert island disc 'The Suburbs' really is. That's the benchmark, and if nothing else by the band holds a candle to that, then there's nothing wrong with that. At least not for me, not anymore. I don't even know what to give this one. A six seems a bit low, but I don't think it's a seven either. Maybe not even a six and half. Fuck it, a six it is.
And so we reach the end of the Arcade Fire discography review. I chose not to review their eponymous E.P. - I never did like it - and nor shall I be reviewing the soundtrack they wrote for the movie 'Her'. I am not inclined, not even one bit, to listen to soundtrack music from movies, at least not now. Maybe one day later, I'll pick it up and play it. So, all this done, was it worth it, this little experiment? Yeah, it kinda was. It was fun to revisit those early albums, and think about the stories that brought me to and bound me to them. I'd say that at least that first half of the discography was a fun thing to do, and the other half I knew would bring some challenges with it. 'Reflektor' didn't give me anything new, that I really feel like going back to time and time again, but 'Everything Now' certainly contributed with a heap of songs that moved straight into my favourites. And who'd've thought, considering my initial impression of the record? There were positive things to take away from this, for sure. And so the march towards the inevitable end continues. I can't wait to get there.
Wednesday, December 25, 2024
Day Three hundred and fifty nine - Time is running out
These gifts come in two forms : for me, from me; and from me, to you. For me, it's always for you.
The first gift - for me : I gift unto me the act of fading away, and now, I am becoming increasingly harder to find. This I gift to me. This is how I begin to disappear, this is how I start to become a memory, one that will grow dimmer with each passing heartbeat. Maybe it's already been noticed, maybe it hadn't, but the first steps are already taken.
The second gift - for you : I gift you my choices for my two favourite albums of the year. They have a number of things in common : they are both from Japanese bands, they are both from (roughly) the same genre, though they accomplish their goals in wildly different ways, they are both from the same label (Pelagic Records) and last, but never the least, they are the only two albums that came out in 2024 that I actually listened to, so the odds of one, if not both of them, being my favourites were always pretty high.
Let's look at the first : The band is called Envy, and the album is called 'Eunoia'. It's a really hard band to describe, their sound ranging from the hardcore and heavy metal worlds while also touching on post-rock, shoegaze, post-hardcore, screamo, and god knows what else. This being their eighth studio record, it's an indredibly tight, melodic, emotional journey, a whole that's made from individual slices of art, each episode a venture into climatic bursts of joy and sadness. It's very nearly a 10/10 for me, and I'm looking forward to finally getting it on vinyl sometime next year.
The second - and my undisputed favourite - is by a band called Mono, and the album is called 'Oath'. True story, they are the only band in existence that I'd buy an album by them without listening to a single song from it, because I know it will be trasncendental. Which makes it all the more confounding the fact that I do not, in fact, have this record... yet. I missed out on the initial pressing, and I'm waiting for Pelagic to release a new one, they always do with this band. But that didn't, obviously, keep me from listening to this record as soon as it came out, and in typical Mono fashion, they delve into the post-rock, contemporary classical soundscapes, though they themselves eschew such terms when it comes to describing their music. But Mono isn't just music, it's beauty, it's poetry, it's peace, it's catharsis. Though I knew of the band for a long while, and listened to a song of theirs here and there, I've been a dedicated fan of the band for a fairly short amount of time only - it was the the release of the 10th anniversary edition of their majestic that finally convinced me to get to know them better. And what a payoff it's been, they keep getting better and better, their music more poignant, more laden with beauty, more emotionally charged. I highly doubt there'll ever be a year when one of their releases isn't my favourite from that year.
That's it then, six days to go, six more entries, then the inevitable comes.